Fayçal Baghriche transforms the public realm into a venue for startling
transgressions, absurd scenarios, and minimalist actions tinged with
humour. He draws on fundamental
principles of image rhetoric such as subtraction, inversion or
acceleration, resulting in works that question the schema that organizes
human societies – an invitation to critically re-think concepts of identity and everyone's quest to belong to a
singular politic, social or religious membership.
Fayçal Baghriche, Souvenir, 2012, illuminated terrestrial globe, motor, ø 40 cm, H: 75 cm, Edition 8 + 2 AP, exhibition view Campagne Première Berlin 2012
The artist‘s role as a collector of narratives and objects is highlighted in his work Souvenir, an illuminated terrestrial globe, which has been fitted with a motor and turns so fast that it is impossible to make out the contours of the continents and the demarcations of the countries.
Fayçal Baghriche, Souvenir, 2012, illuminated terrestrial globe, motor, ø 40 cm, H: 75 cm, Edition 8 + 2 AP, exhibition view Campagne Première Berlin 2012
The artist‘s role as a collector of narratives and objects is highlighted in his work Souvenir, an illuminated terrestrial globe, which has been fitted with a motor and turns so fast that it is impossible to make out the contours of the continents and the demarcations of the countries.
Fayçal Baghriche, Wenn du ins Feuer guckst, 2012, printed tarpaulin in lightbox, 200 x 240 cm, unique, exhibition view Campagne Première Berlin 2012
Baghriche sees himself as a collector of narratives and objects. Wenn du ins Feuer guckst is an advertisement taken from the public realm and completely degraded by the sun. The artist is interested in the parallelism of what occurred to the image in the public realm and what the image actually shows.
Fayçal Baghriche, Akoah, 2012, wax, plaster, 93 x 36 x 55 cm, Edition 3 + 2 AP, exhibition view Campagne Premiére
Akoah also raises the question of how a found object functions in a new context. The figure (h: 93 cm) is the mold of a rescue dummy used in swimming pools for rescue training. Baghriche’s cast is made of the wax, which normally disappears during the process of casting bronze. Seen in a new context and with the wax pipes, which are objects used in the intermediary process of casting, still in place the vacuous expression of the figure opens up a space of new evaluation and interpretation.