Peter Friedl

• SOLO EXHIBITIONS: Catalogues and Related Publications

• Snauwaert, Dirk (ed.). Über Peter Friedl. Brussels/Berlin: WIELS/Motto Books, 2013. Texts by Mieke Bal, Roger M. Buergel, Jean-François Chevrier, Norman M. Klein, Bartomeu Marí, Maria Muhle, Eva Schmidt, Marco Scotini, Dirk Snauwaert, Hilde Van Gelder, and Leire Vergara.

• Playgrounds. Göttingen: Steidl, 2008. Text by Jean-François Chevrier

• Peter Friedl: Travail 1964–2006. Arles: Éditions Analogues, 2007. Catalogue (French edition), texts by Mieke Bal, Roger M. Buergel, Peter Friedl, Norman M. Klein, Bartomeu Marí, and Jean-Pierre Rehm.

• Working at Copan / Trabalhando no Copan. Berlin: Sternberg Press, 2007.

• Playgrounds. São Paulo: Exo experimental.org, 2006. Folded poster.

• Theory of Justice. Barcelona: Museu d’Art Contemporani de Barcelona, 2006.

• Peter Friedl: Work 1964–2006. Barcelona: Museu d’Art Contemporani de Barcelona, 2006. Catalogue (English edition), texts by Mieke Bal, Roger M. Buergel, Peter Friedl, Norman M. Klein, Bartomeu Marí, and Jean-Pierre Rehm.

• Peter Friedl: Obra 1964–2006. Barcelona: Museu d’Art Contemporani de Barcelona, 2006. Catalogue (Spanish edition), texts by Mieke Bal, Roger M. Buergel, Peter Friedl, Norman M. Klein, Bartomeu Marí, and Jean-Pierre Rehm.

• OUT OF THE SHADOWS: WHAT IS WRITTEN CANNOT BE UNWRITTEN. Seville: 2nd International Biennial of Contemporary Art, 2006. Exhibition folder.

• Peter Friedl. São Paulo: Exo experimental org., 2005. Announcement, text by Roger M. Buergel.

• OUT OF THE SHADOWS. Rotterdam: Witte de With, center for contemporary art, 2004. Exhibition folder.

• Four or Five Roses. New York: Lukas & Sternberg, Inc., 2004.

• La Malédiction de l’iguane: du genre et du pouvoir; King Kong en Triomf. Institut d’art contemporain, Villeurbanne 2002. Brochure, includes two texts by Peter Friedl.

• Peter Friedl: domestic. Landesgalerie am Oberösterreichischen Landesmuseum, Linz. Vienna: Triton, 2002. Catalogue, texts by Tulga Beyerle, Gerrit Gohlke, Bartomeu Marí, and Raimar Stange.

• Peter Friedl. Casino Luxembourg–Forum d’art contemporain, Luxembourg; Gesellschaft für Aktuelle Kunst, Bremen; Institute for Contemporary Art, Cape Town. Frankfurt am Main: Revolver–Archiv für Aktuelle Kunst, 2001. Catalogue, texts by Roger M. Buergel, Peter Friedl, Alison Gingeras, Enrico Lunghi, Thomas Mulcaire, and Eva Schmidt.

• Kromme Elleboog. Rotterdam: Witte de With, center for contemporary art, 2001. Foreword by Bartomeu Marí

• Buergel, Roger M. Peter Friedl. Dresden: Verlag der Kunst, 1999.

• La Bohème. Berlin: Kunstraum Mitte, 1997. Exhibition poster.

• Peter Friedl, Gillian Wearing, Lawrence Weiner: City Projects Prague. Prague/London: The British Council Window Gallery, 1996. Catalogue, text by Peter Friedl and Stefan Germer.

• Peter Friedl. Berlin: Künstlerhaus Bethanien, 1996. Text by Philip Ursprung.

• Peter Friedl presents Frack. W139 Amsterdam, Künstlerhaus Bethanien Berlin. Vienna: Triton, 1996. Texts by Marius Babias, Peter Friedl, Stefan Germer, Tyyne Claudia Pollmann, Theo Tegelaers, Philip Ursprung, Vitus H. Weh, Olav Westphalen, and Heimo Zobernig.

• Hotel Mama. Vienna: Kunstraum Wien, 1995. CD and booklet.

• Peter Friedl. Prague: Academy of Fine Arts, 1995. Catalogue, texts by Peter Friedl, Christian Kravagna, Martin Prinzhorn, and Vladimir Skrepl.

• T.I.P. Linz: Galerie im Stifterhaus, 1994. Catalogue.

• Peter Friedl. Milano: Art Studio Edizioni, 1993. Text by Georg Schöllhammer.

• Peter Friedl. Milano: Art Studio Edizioni, 1993. Catalogue, texts by Peter Friedl, Herbert Hrachovec, and Giorgio Verzotti.

• Rebuild. Steyr: Galerie Pohlhammer, 1992. Catalogue, interview with Peter Friedl by Martin Karasek.

• Peter Friedl. Vienna: Christine König Galerie, 1990. Catalogue, Interview with Peter Friedl by Isi Siever.

• Peter Friedl. Graz: Galerie Bleich-Rossi, 1988. Catalogue, texts by Peter Friedl and Johannes Gachnang.

• Samarkand. Graz: Galerie Bleich-Rossi, 1988. Catalogue, text by Peter Friedl.

• SELECTED GROUP EXHIBITIONS: Catalogues and Books

• Latimer, Quinn, and Adam Szymczyk (eds.). Documenta 14: Daybook, Munich: Prestel, 2017. Text by Hilde Van Gelder.

• Taipei Biennial 2016: Gestures and archives of the present, genealogies of the future. Taipei: Taipei Fine Arts Museum, 2016. Guidebook.

• Stange, Raimar, and Marianne Zamecznik (eds.). To bee or not to be. Moss: Punkt ø/Galleri F 15, 2016. Catalogue.

• Stange, Raimar (ed.). Global – Mobilität und Kunst. Berlin: Reisebüro Global, 2016. Catalogue.

• Scotini, Marco. Artecrazia: Macchine espositive e governo dei pubblici. Roma: Derive Approdi, 2016.

• La Biennale di Venezia: 56th International Art Exhibition, All the World’s Futures. Venice: Marsilio Editori, 2015. Catalogue.

• La Biennale di Venezia: 56th International Art Exhibition, All the World’s Futures. Venice: Marsilio Editori, 2015. Short guide, text by Tim Roerig.

• Chevrier, Jean-François. Formes biographiques. Carré d’Art–Musée d’art comtemporain de Nîmes, Nîmes. Paris: Éditions Hazan, 2015.

• Könches, Barbara (ed). 25/25/25. Cologne: Verlag der Buchhandlung Walther König, 2015.

• Katerina Koskina (ed.). 5th Thessaloniki Biennale of Contemporary Art. Thessaloniki: State Museum of Contemporary Art, 2015. Catalogue, text by Katerina Gregos.

• Gourvennec Ogor, Didier, and Gregory Lang (eds.). Artistes et Architecture: Dimensions variables / Artists and Architecture: Variable Dimensions. Paris: Éditions du Pavillon de l’Arsenal, 2015. Catalogue.

• Arozqueta, Claudia. In response to the exhibition: Peter Friedl “The Dramatist” at Artspace, March–April 2014. Auckland: Artspace, 2014.

• Borja, Villel, Manuel, Teresa Velázquez, and Tamara Díaz Bringas (eds.). Playgrounds: Reinventing the Square. Madrid: Museo Nacional Centro de Arte Reina Sofia, 2014.

• Herbst: Theorie zur Praxis. Graz: steirischer herbst festival, 2014, pp. 62–73.

• Out of the Blue: A Sense of Public-mindedness. The 10th International Exhibition Muslim Mulliqi Prize. Prishtina: National Gallery of Kosovo, 2014. Exhibition guide.

• Collicelli Cagol, Stefano, and Luigi Fassi (eds.). Forms of Distancing: Repräsentative Politik und die Politik der Repräsentation. Graz/Milan: Mousse Publishing/steirischer herbst, 2014. Catalogue.

• Collicelli Cagol, Stefano, and Luigi Fassi (eds.). Forms of Distancing: Representative Politics and the Politics of Representation. Graz/Milan: Mousse Publishing/steirischer herbst, 2014. Catalogue.

• Blue Times. Wien: Kunsthalle Wien, 2014. Exhibition booklet.

• Merz, Marisa, and Marianna Vecellio (eds.). Intenzione manifesta: Il disegno in tutte le sue forme / Manifest Intention: Drawing in all its forms. Castello di Rivoli, Museo d’Arte Contemporanea, Turin. Mantua: Corraini Edizioni, 2014.

• Dexter, Emma, and Walter Vanhaerents (eds.). Man in the Mirror: Vanhaerents Art Collection. Tielt: Lannoo, 2014. Catalogue. Text by Björn Scherlippens.

• Franke, Anselm (ed.). Social Factory: 10th Shanghai Biennale. Shanghai: Power Station of Art, 2014. Catalogue.

• Lim, Dennis, and Ismail Al Rifai (eds.). Mirage City Cinema: Sharjah Biennial 11, Film Programme. Sharjah Art Foundation, 2013. Catalogue.

• Sharp, Jasper (ed.). Österreich und die Biennale / Austria and the Venice Biennial 1895–2013. Nürnberg: Verlag für moderne Kunst, 2013.

• Pirenne, Raphaël, and Alexander Streitberger (eds.). Heterogeneous Objects: Intermedia and Photography after Modernism. Leuven: Leuven University Press, 2013. Text by Hilde Van Gelder.

• Sokołowska, Joanna, and Jarosław Lubiak (eds.). Niewczesne Historie / Untimely Stories. Łodz: Muzeum Sztuki, 2012. Catalogue.

• Franke, Anselm (ed.). Modern Monsters/Death and Life of Fiction: Taipei Biennial 2012. Taipei: Taipei Fine Arts Museum, 2012. Catalogue.

• Husslein-Arco, Agnes, Harald Krejci, and Bettina Steinbrügge (eds.). Utopie Gesamtkunstwerk. 21er Haus, Vienna. Cologne: Verlag der Buchhandlung Walther König, 2012. Catalogue, text by Anselm Franke.

• Enwezor, Okwui (ed.). Intense Proximity: An Anthology of the Near and the Far. Paris: Centre national des arts plastiques Tour Atlantique, Éditions Artlys, 2012.

• Enwezor, Okwui (ed.). La Triennale 2012, Intense Proximity: Guide de l’Exposition / Exhibition Guide. Paris: Centre national des arts plastiques Tour Atlantique, Éditions Artlys, 2012.

• Cordonnier, Sarah. Les sciences humaines dans le centre d’art. Cachan: Éditions Lavoisier, 2012.

• Sokołowska, Joanna, and Jarosław Lubiak (eds.). Niewczesne Historie / Untimely Stories. Łodz: Muzeum Sztuki, 2012. Catalogue.

• Franke, Anselm (ed.). Modern Monsters/Death and Life of Fiction: Taipei Biennial 2012. Taipei: Taipei Fine Arts Museum, 2012. Catalogue.

• Chevrier, Jean-François. Des territoires. Paris: L’Arachnéen, 2011.

• Bogner, Peter, and Martin Fritz (eds.). Beziehungsarbeit: Kunst und Institution. Künstlerhaus k/haus, Vienna. Vienna: Schleebrügge, 2011. Catalogue.

• Diserens, Corinne (ed.). Appropriated Landscapes: Contemporary African Photography from The Walther Collection. The Walther Collection, Neu-Ulm. Göttingen: Steidl, 2011. Catalogue, texts by Corinne Diserens, Peter Friedl, Bronwyn Law-Viljoen, and Artur Walther.

• Collector: Œuvres du Centre national des arts plastiques. Paris: Skira Flammarion, 2011. Catalogue, texts by Leslie Compan and Sébastien Faucon.

• Wenzel, Anna-Lena. Grenzüberschreitungen in der Gegenwartskunst: Ästhetische und philosophische Positionen. Bielefeld: Transkript, 2011.

• Power to the People: Contemporary Conceptualism and the Object in Art. Melbourne: Australian Centre for Contemporary Art, 2011. Catalogue, text by Hannah Mathews.

• Smith, Jason E., and Annette Weisser (eds.). Everything is in Everything: Jacques Rancière, Between Intellectual Emancipation and Aesthetic Education. Pasadena: Art Center Graduate Press, 2011.

• Die Sammlung in Aktion: Mediale Werke von Vito Acconci bis Simon Starling / La collezione attiva: Opere mediali da Vito Acconci a Simon Starling / The Collection in Action: Media works from Vito Acconci to Simon Starling. Bolzano: Museion, 2011. Catalogue, texts by Frida Carazzato, Angelika Nollert, Bernhard Serexhe, and Letizia Ragaglia.

• Bonnet, Vincent, and David Bouvard (eds.). Fondcommun, numéro zéro un, Marseille 2010, p. 18.

• Untitled (Ohne Titel). RealismusStudio. Berlin: Neue Gesellschaft für Bildende Kunst, 2010. Catalogue, texts by Edda Kapsch, Christin Lahr, Tobias Vogt, and Lena Ziese.

• Vanhaerents, Walter (ed.). Disorder in the House: Vanhaerents Art Collection. Tielt: Lannoo, 2010.

• Schilcher, Ralph (ed.). Kunst ohne Unikat: Folge 1. Graz: Artelier Collection, 2010.

• MAN SON 1969: Vom Schrecken der Situation. Hamburg: Hamburger Kunsthalle, 2009. Catalogue.

• Jansen, Gregor, and Thomas Thiel (eds.). Vertrautes Terrain: Aktuelle Kunst in & über Deutschland / Contemporary Art in & about Germany. ZKM, Museum für Neue Kunst, Karlsruhe. Heidelberg: Kehrer, 2009.

• Danon, Eyal, and Galit Eilat (eds.). Liminal Spaces. Holon: The Center for Digital Art, 2009.

• The Symbolic Efficiency of the Frame. Tirana: Tirana International Contemporary Art Biennial, 2009.

• Esche, Charles, Kerstin Niemann, and Stephanie Smith (eds.). Heartland. Chicago/Eindhoven: Smart Museum of Art, University of Chicago, Van Abbemuseum, 2009. Catalogue.

• Spickernagel, Ellen. “Von Qalqiliyah nach Kassel: Peter Friedls Giraffe auf der Documenta XII.” Frohne, Ursula, and Jutta Held (eds.). Kunst und Politik: Jahrbuch der Guernica-Gesellschaft. Bd. 9, 2007. Göttingen: V & R Unipress, 2008.

• Micro-narratives: tentation des petites réalités. Musée d’Art Moderne, Saint-Etienne. Milano: Skira, 2008. Text by Roger M. Buergel.

• Peripheral vision & collective body. Bolzano: Museion, 2008.

• Moser, Heinz. “Ästhetik und Bildung im Zeitalter von Multimedia.” Seipold, Judith (ed.), Media Art Culture: Medienkultur mit Blick auf die documenta 12 / Media Culture with reference to documenta 12. Kassel: University Press, 2008.

• Jansen, Gregor, and Thomas Thiel (eds.). Vetrautes Terrain: Aktuelle Kunst in und über Deutschland. Karlsruhe: ZKM, Museum für Neue Kunst, 2008.

• The Vincent Award 2008. Amsterdam: Stedelijk Museum, 2008. Texts by Leontine Coelewij and Gijs van Tuyl.

• Maubant, Jean-Louis (ed.). Ambition d’art. Institut d’art contemporain, Villeurbanne/Lyon. Dijon: Les presses du réel, 2008.

• Manifesta 7: Index. Milano: Silvana Editoriale, 2008.

• Enwezor, Okwui (ed.). Annual Report: The 7th Gwangju Biennale. Gwangju: Gwangju Biennale Foundation, 2008.

• Mesquita, Ivo, and Ana Paula Cohen (eds.). 28a Bienal de São Paulo: Guia / Guide. São Paulo: Fundação Bienal de São Paulo, 2008. Text by Peter Friedl and Jean-Pierre Rehm.

• Difference, what difference? Berlin: Art Forum, 2008. Text by Daniela Stöppel.

• Unreliable Witness. Glasgow: Tramway, 2008. Exhibition guide.

• Zeitblick. Cologne: DuMont, 2008. Text by Anette Hüsch.

• Documenta 12: Katalog / Catalogue. Cologne: Taschen, 2007. Text by Roger M. Buergel.

• Buergel, Roger M., and Ruth Noack (eds.). Documenta 12: Bilderbuch. Cologne: Taschen, 2007.

• Reality Crossings: 2. Fotofestival Mannheim, Ludwigshafen, Heidelberg. European Photography, no. 82, Autumn–Winter 2007. Includes text by Peter Friedl.

• Micro-narratives. Belgrade: 48th October Salon, 2007. Text by Roger M. Buergel.

• Shevtsova, Maria. Robert Wilson. Abingdon/New York: Routledge, 2007.

• Sand, Gabriele (ed.). play station. Hanover: Sprengel Museum, 2006.

• Enwezor, Okwui (ed.). The Unhomely: Phantom Scenes in Global Society. Seville: 2nd International Biennial of Contemporary Art, 2006.

• Heinzelmann, Markus (ed.). Personal Affairs: neue Formen der Intimität. Cologne: DuMont, 2006.

• Biesenbach, Klaus (ed.). Zur Vorstellung des Terrors: Die RAF-Ausstellung. KW Institute for Contemporary Art, Berlin. Göttingen: Steidl, 2005.

• Die Regierung: Paradiesische Handlungsräume. Vienna: Secession, 2005. Catalogue, texts by Roger M. Buergel and Ruth Noack.

• Office Hours: Strukturwandel der Arbeitswelten. RealismusStudio. Berlin: Neue Gesellschaft für Bildende Kunst, 2005. Catalogue, texts by Roger M. Buergel and Annette Tietenberg.

• The Invisible Insurrection of a Million Minds: Twenty Proposals for Imagining the Future. Bilbao: Sala Rekalde, 2005. Catalogue.

• Be what your want but stay where you are. Rotterdam: Witte de With, center for contemporary art, 2005. Brochure, text by Sophia Prinz.

• Spielräume. Duisburg: Stiftung Wilhelm Lehmbruck Museum– Zentrum Internationaler Skulptur, 2005. Catalogue, text by Sabine Maria Schmidt.

• Urbane Realitäten: Fokus Istanbul. Martin-Gropius-Bau. Berlin: Künstlerhaus Bethanien, 2005. Catalogue, text by Christoph Tannert.

• Police. Landesgalerie Linz. Weitra: Bibliothek der Provinz, 2005. Catalogue.

• Hoffmann, Jens, and Joan Jonas (eds). Perform. London: Thames & Hudson, 2005.

• Kim Sung Won, Vanessa Joan Müller and Nicolaus Schafhausen (eds.). Paralleles Leben. Frankfurt am Main: Frankfurter Kunstverein, 2005. Catalogue, text by Julia Höner.

• Bauer, Ute Meta (ed.). complex berlin / complex berlin. 3. berlin biennale für zeitgenössische kunst / 3rd berlin biennial for contemporarary art. Cologne: Verlag der Buchhandlung Walther König, 2004.

• Ficcions documentals. Barcelona: Fundació “la Caixa,” 2004. Catalogue, text by Jean-Pierre Rehm.

• It is a small world. Altkirch: CRAC Alsace, 2004. Catalogue.

• Niemand ist eine Insel. Gesellschaft für aktuelle Kunst, Bremen. Frankfurt am Main: Revolver–Archiv für aktuelle Kunst, 2004. Catalogue, text by Annette Weisser.

• Emslander, Fritz, and Markus Heinzelmann (eds.). Gegen den Strich: Neue Formen der Zeichnung, Staatliche Kunsthalle Baden-Baden. Nuremberg: Verlag für moderne Kunst, 2004. Catalogue, texts by Markus Heinzelmann and Gabriele Sand.

• Tannert, Christoph, and Ute Tischler (eds.). Men in Black: Handbuch der kuratorischen Praxis / Men in Black: Handbook of Curatorial Practice. Frankfurt am Main: Revolver–Archiv für aktuelle Kunst, 2004. Illustrations by Peter Friedl.

• Hlavajova, Maria, and Jill Winder (eds.). Who if not we should at least try to imagine the future of all this? Amsterdam: Artimo, 2004.

• How do we want to be governed? (Figure and Ground). Miami: Miami Art Central, 2004. Catalogue, text by Roger M. Buergel.

• Kunstpreis der Böttcherstrasse in Bremen. Bremen: Kunsthalle Bremen, 2003. Catalogue, text by Vanessa Joan Müller.

• Kunst_Garten_Kunst. Sprengel Museum, Hanover. Gent and Cologne: Snoeck, 2003. Catalogue, text by Peter Friedl.

• A respeito de SITUAÇÕES REAIS. São Paulo: Paço das Artes and Exo, 2003. Catalogue, includes text by Peter Friedl.

• The Squared Circle: Boxing in Contemporary Art. Minneapolis: Walker Art Center, 2003. Catalogue, text by Olukemi Ilesanmi.

• Schafhausen, Nicolaus, Vanessa Joan Müller, and Michael Hirsch (eds.). Adorno: Die Möglichkeit des Unmöglichen / Adorno: The Possibility of the Impossible. Frankfurter Kunstverein. New York: Lukas & Sternberg, 2003.

• 32nd International Film Festival Rotterdam. Rotterdam, 2003.

• Stange, Raimar. Zurück in die Kunst. Hamburg: Rogner & Bernhard bei Zweitausendeins, 2003.

• Luckow, Dirk, and Hans-Werner Schmidt (eds.). Malerei ohne Malerei. Museum der bildenden Künste Leipzig. Leipzig: E.A. Seemann, 2002. Catalogue, text by Roberto Ohrt. Schafhausen, Nicolaus (ed.). non-places. Frankfurter Kunstverein. New York: Lucas & Sternberg, Inc., 2002. Catalogue, text by Vanessa Joan Müller.

• Der globale Komplex / The Global Complex. O.K Centrum für Gegenwartskunst, Linz. Graz: Grazer Kunstverein, 2002. Catalogue, text by Thomas Mulcaire.

• What? A Tale in Free Images. Bruges: Memlingmuseum, 2002. Catalogue, includes text by Peter Friedl.

• French Collection. Musée d’art moderne et contemporaine de Genève. Geneva: Les Cahiers du Fnac #2, 2002. Catalogue.

• Kravagna, Christian (ed.). Das Museum als Arena: Institutionskritische Texte von KünstlerInnen / The Museum as Arena: Artists on Institutional Critique. Kunsthaus Bregenz. Cologne: Verlag der Buchhandlung Walther König, 2001. Includes text by Peter Friedl.

• DEAD. Welfare State International. London: The Roundhouse, 2001. Catalogue, text by Raimar Stange.

• Ursprung, Philip. “Le medium n’est pas le message: réflexions actuelles sur le concept ‘art et bâtiment.’” Fiedler, Andreas (eds.). Art et bâtiment. Au cœur des tensions. Bern: Edition Stämpfli, 2001.

• Buergel, Roger M., and Ruth Noack (eds.). Dinge, die wir nicht verstehen / Things we don’t understand. Generali Foundation Vienna. Dresden: Verlag der Kunst, 2000. Catalogue, texts by Roger M. Buergel and Ruth Noack.

• Let’s Entertain: Life’s Guilty Pleasures. Minneapolis: Walker Art Center, 2000. Catalogue.

• Game On! New York: Sara Meltzer Gallery, 2000. Catalogue.

• ein/räumen: Arbeiten im Museum. Hamburger Kunsthalle. Ostfildern: Hatje Cantz, 2000. Catalogue.

• Version_2000. Saint-Gervais, Geneva: Centre pour l’image contemporaine, 2000. Catalogue.

• Dream City. Kunstraum München, Kunstverein München, Museum Villa Stuck, Siemens Cultural Program. Berlin: Vice Versa, 1999. Catalogue designed by Peter Friedl and Andreas Pawlik, text by Peter Friedl.

• Rosa für Jungs/Hellblau für Jungen. Berlin: Neue Gesellschaft für Bildende Kunst, 1999. Catalogue.

• Weibel, Peter (ed.). Offene Handlungsfelder / Open Practices. Austrian Pavilion, 48th Venice Biennale. Cologne: DuMont, 1999. Catalogue.

• Moving Images: Film—Reflexion in der Kunst. Galerie für Zeitgenössische Kunst: Leipzig, 1999. Catalogue.

• Trescher, Stephan. Light Boxes. Leuchtkastenkunst. Nuremberg: Verlag für moderne Kunst, 1999.

• German Open: Gegenwartskunst in Deutschland / Contemporary Art in Germany. Kunstmuseum Wolfsburg. Ostfildern-Ruit: Hatje Cantz, 1999. Catalogue, text by Raimar Stange.

• Mittersteiner, Reinhard, and Brigitte Kepplinger (eds.). Glühendrot, Krisenbleich: Zeitmontagen zu Arbeit und Kultur der Industrieregion Steyr. Steyr: Museum Industrielle Arbeitswelt, 1998.

• Cet été là… Expositions de variétés. Sète: Centre Régional d’Art Contemporain Languedoc-Roussillon, 1998. Catalogue.

• Griese, Horst, and Eva Schmidt (eds.). Do All Oceans Have Walls? Bremen: Gesellschaft für Aktuelle Kunst, KünstlerHaus, 1998. Catalogue.

• Campitelli, Maria (ed.). Transformation. Trieste: Teatro Miela, 1998. Catalogue.

• 15. Kasseler Dokumentarfilm- und Videofest. Kassel: Filmladen Kassel e. V., 1998.

• Balkenhol, Bernhard, and Heiner Georgsdorf (eds.). x mal documenta X. Kassel, 1998.

• Zeitskulptur. Linz: Landesgalerie am Oberösterreichischen Landesmuseum, 1997. Catalogue.

• Politics / Poetics: Das Buch zur documenta. Ostfildern: Hatje Cantz, 1997.

• documenta X, Short guide / Kurzführer. Osfildern: Hatje Cantz, 1997. Texts by Catherine David and Paul Sztulman.

• Sgroi, Massimo (ed.). Gamblers, CD. Caserta: Media Arte, 1997.

• Herausgeber Kunstraum Wien. Vienna: Triton, 1996.

• Das doppelte Kleid. Schloss Ottenstein. Vienna: Löcker, 1996. Texts by Gerda Buxbaum, Susanne Neuburger, Walter Pamminger, Anne-Katrin Rossberg, and Catherina Zakravsky.

• Natura Naturans. Torino: Lindau, 1996. Catalogue, text by Maria Campitelli.

• Nuova Scena. Milano: Editoriale Giorgio Mondadori, 1995. Texts by Luca Beatrice, Cristina Perrella, and Guido Costa.

• The Spring Project. Vienna: Österreichische Galerie/G. Ambrosi Museum, 1995. Video documentation and texts by Doris Guth, Peter Kogler, Matthias Michalka, Frank Perrin, Matta Wagnest, et al.

• My Car Is Black, And Yours Is White. Brno: KRIC, 1994. Catalogue.

• Rien à signaler. Geneva: Galerie Analix, 1994. Catalogue.

• Positionen. Steyr: Museum Industrielle Arbeitswelt, Kunstforum Hallein, 1994. Catalogue.

• Zelle/Schwarz auf Weiß. Vienna: Galerie Theuretzbacher, 1994. Catalogue.

• Double Density. Milano: Art Studio Edizioni, 1994. Catalogue, text by Guido Costa.

• Kunst im Congress Centrum Hamburg: Eine öffentliche Sammlung der Gegenwartskunst. Hamburg: Congress Centrum, 1989. Catalogue.

• Destini incrociati…. Torino: Castello di Rivara, 1986. Catalogue.

• SELECTED WRITINGS

• “The Sting of Change.” To bee or not to be. Moss: Punkt ø/Galleri F 15, 2016, pp. 21–27. Catalogue.

• “Die verwunschene Stadt.” South as a State of Mind, no. 6 (documenta 14, no. 1), Fall/Winter 2015, http://www.documenta14.de/de/south/6_die_verwunschene_stadt

• “Η στοιχειωμένη πόλη.” South as a State of Mind, no. 6 (documenta 14, no. 1), Fall/Winter 2015

• “Images at War.” Peep-Hole Sheet, no. 26, fall 2015. Milan: Mousse Publishing, 2015.

• “The Haunted City.” South as a State of Mind, no. 6 (documenta 14, no. 1), Fall/Winter 2015, pp. 211–27.

• “Per un’altra modernità / A different strain of modern.” Domus, no. 985, November 2014, pp. 33–35.

• “History in the Making.” Artitude, no. 33, June 2012, pp. 46–55.

• “The Purloined Philosopher.” Everything is in Everything: Jacques Rancière, Between Intellectual Emancipation and Aesthetic Education. Pasadena: Art Center Graduate Press, 2011, pp. 49–63.

• “The Impossible Museum.” E-flux journal, no. 23, March 2011

• “Des pierres pour l’Amérique.” Vacarme, no. 50, Winter 2010, pp. 51–54.

• Die heimliche Moderne: Ausgewählte Texte und Interviews 1981–2009. Edited by Anselm Franke. Berlin: Sternberg Press, 2010.

• Secret Modernity: Selected Writings and Interviews 1981–2009. Edited by Anselm Franke. Berlin: Sternberg Press, 2010.

• “Maurice Maeterlinck.” Etcetera, no. 121, April 2010, pp. 26–27.

• “Die heimliche Moderne.” Springerin, vol. XVI, no. 3, 2010, pp. 37–43.

• “History in the Making.” E-flux journal, no. 18, September 2010, http://www.e-flux.com/journal/view/161

• La modernità segreta. Milan: Kaleidoscope, 2010.

• “Steine für Amerika.” Springerin, vol. XV, no. 1, 2009, pp. 46–49.

• “One World / Jeden świat.” Muzeum, no. 7, 2009, pp. 13–14.

• “Secret Modernity.” E-flux journal, no. 10, November 2009

• “Steine für Amerika / Stones for America.” Gagarin, no. 17, 2008, pp. 4–19.

• “Avenida Glauber Rocha.” Springerin, vol. XI, no. 3, 2005, pp. 38–41.

• “Four or Five Roses.” Multitudes, no. 17, June 2004.

• “Out of the Shadows.” Metropolis M, no. 5, 2004, pp. 32–43.

• OUT OF THE SHADOWS. Witte de With, center for contemporary art, Rotterdam 2004. Exhibition poster with text by Peter Friedl.

• “Hanover House.” Kunst_Garten_Kunst. Sprengel Museum Hanover. Gent and Cologne: Snoeck, 2003. Catalogue.

• “One World.” Trouble #3, Spring–Summer 2003, pp. 40–47.

• “King Kong em Triomf.” A respeito de SITUAÇÕES REAIS, São Paulo: Paço das Artes and Exo, 2003, pp. 34–39. Catalogue.

• “One World: Internationaal museumbeleid.” Metropolis M, no. 3, June–July 2003, p. 46–47.

• “One World.” Be Magazin, no. 9, 2003, pp. 6–19.

• “King Kong in Triomf.” Peter Friedl. Casino Luxembourg–Forum d’art contemporain, Luxembourg; Gesellschaft für Aktuelle Kunst, Bremen; Institute for Contemporary Art, Cape Town. Frankfurt am Main: Revolver–Archiv für Aktuelle Kunst, 2001, pp. 165–74; reprinted in What? A Tale in Free Images. Bruges: Memlingmuseum, 2002, pp. 24–28. Reprinted in Diserens, Corinne (ed.). Appropriated Landscapes. Contemporary African Photography from The Walther Collection. The Walther Collection, Neu-Ulm. Göttingen: Steidl, 2011.

• “The Curse of the Iguana: On Genre and Power.” Umelec, no. 2, 2000, pp. 90–98.

• T.A.Z. Be Magazin, no. 6, 2000, pp. 34–35.

• “The Curse of the Iguana: On Genre and Power.” From #3, Witte de With, center for contemporary art, Rotterdam, December 2000, pp. 6–17.

• “Monologues.” From #3, Witte de With, center for contemporary art, Rotterdam, December 2000, pp. 60–65.

• Der Fluch des Leguans: Über Genre und Macht. Stuttgart: Revolver–Archiv für aktuelle Kunst, 2000.

• “Dream City.” Dream City. Kunstraum München, Kunstverein München, Museum Villa Stuck, Siemens Cultural Program. Berlin: Vice Versa, 1999, pp. 191–93, 266–68; reprinted in Kravagna, Christian (ed.), Das Museum als Arena: Institutionskritische Texte von KünstlerInnen / The Museum as Arena: Artists on Institutional Critique. Kunsthaus Bregenz. Cologne: Verlag der Buchhandlung Walther König, 2001
• 
  
• “Nichts zum Mitnehmen.” Profil, no. 34, 1999, p. 9.

• “Sommer ’97.” Balkenhol, Bernhard, and Heiner Georgsdorf (eds.), x mal documenta X. Kassel: Kunsthochschule der Universität Gesamthochschule, 1998, p. 181.

• “Alighiero Boetti: Museum Moderner Kunst, Stiftung Ludwig, Wien.” Springer, vol. III, no. 1, 1997, pp. 75–76.

• “Ein Nachruf auf Martin Kippenberger.” Springer, vol. III, no. 2, 1997, p. 64.

• “Wolfgang Pohrt: Brothers in Crime.” Springer, vol. III, no. 3, 1997, p. 85.

• “Hotel Mama.” Herausgeber Kunstraum Wien, Vienna, 1996, p. 56.

• “Team Compendium: Selbstorganisation im Bereich Kunst.” Springer, vol. II, no. 2, 1996.

• “Kunst und Macht im Europa der Diktatoren, 1930–1945: Deutsches Historisches Museum Berlin.” Springer, vol. II, no. 3, 1996, pp. 69–70.

• “Team Compendium: Selbstorganisation im Bereich Kunst.” Zitty, no. 18, 1996, p. 66.

• “Born to Raise.” Peter Friedl. Milano: Art Studio Edizioni, 1993, pp. 17–19.

• “Beuys vergessen: Basler Statement.” Harlan, Volker, and Dieter Koepplin (eds.). Joseph-Beuys-Tagung. Basel, 1991, pp. 145–50.

• “Die Quellen des Entsetzens: Neuausgabe der frühen Stücke von Maurice Maeterlinck.” Nürnberger Nachrichten, 3 February 1984.

• “Befreiung vom Historismus.” Nürnberger Nachrichten, 10 February 1984.

• “Hermanns Schlacht.” Wiener, May 1984, pp. 90–98; reprinted in Tip: Berlinmagazin, 29 June–12 July 1984, pp. 83–88.

• “Das große Fest: Hermann Nitsch und die Wiedergeburt der Tragödie.” Die Zeit, no. 31, 27 July 1984.

• “Het grote fest.” Museumsjournaal, no. 2, 1986, pp. 84–88.

• “Von Sonnenaufgang zu Sonnenaufgang: Peter Friedl über die drei Tage und Nächte des Orgien-Mysterien-Theaters: Hermann Nitschs Opus magnum.” Theater heute, no. 9, 1984, pp. 38–41.

• “De verscheurde Dionysos: Over Hermann Nitsch.” Hermann Nitsch: Das Orgien-Mysterien-Theater, 1960-1983. Stedelijk Van Abbemuseum. Eindhoven, 1983, pp. 124–32.

• “Der zerrissene Dionysos: Annäherung an Hermann Nitsch.” Theater heute, no. 9, 1983, pp. 37–44.

• “Der schweigsame Pionier.” Nürnberger Nachrichten, 6 September 1983.

• “Grenzen überschreiten.” Wiener, September 1983, pp. 95–96.

• “Endlose Träume: Der erste Teil von Robert Wilsons ‘Civil Wars’ in Rotterdam.” Nürnberger Nachrichten, 12 September 1983.

• “Euphorische Zukunftsvisionen: Zur Neuausgabe von Texten des holländischen Autors und Künstlers Theo van Doesburg.” Nürnberger Nachrichten, 20 October 1983.

• “Mata Hari muss nicht sterben: Robert Wilson inszenierte in Rotterdam einen Teil von ‘the CIVIL warS’: Die Aufführung, Probeeindrücke und Notizen aus einem Gespräch mit Wilson.” Theater heute, no. 11, 1983, pp. 46–48.

• “Der Philosoph als Gärtner: Zu William Warren Bartleys Biographie von Ludwig Wittgenstein.” Nürnberger Nachrichten, 25 November 1983.

• “Admiralsjacke und Unterhose.” Theater heute, no. 11, 1983, p. 64.

• “Aktionismus für den Bücherschrank.” Wiener, November 1983, p. 122.

• “Der letzte Mythos der Philosophiegeschichte.” Wiener, December 1983, p. 86.

• “Das Wort ein innerer Klang: Maurice Maeterlinck‚ ‘Die frühen Stücke’.” Theater heute, no. 12, 1983, p. 62.

• “Drama über die Armee.” Nürnberger Nachrichten, 27 January 1983.

• “Der vereinnahmte Prophet: Wenn man zum Dichter ernannt wird: Die Texte des Ernst Herbeck.” Nürnberger Nachrichten, 4 February 1983.

• “Eckermanns Leiden: Martin Walsers ‘In Goethes Hand’ am Wiener Akademietheater uraufgeführt.” Theater heute, no. 2, 1983, p. 28.

• “Sanfte Gleichgültigkeit.” Nürnberger Nachrichten, 18 February 1983.

• “Die Freiheit ist weiblich: Zum Werk der brasilianischen Schriftstellerin Clarice Lispector.” Nürnberger Nachrichten, 29 March 1983.

• “Wiener Edel-Boulevard.” Nürnberger Nachrichten, 21 April 1983.

• “Aus einer Welt der Angst: Zu den frühen Stücken von Maurice Maeterlinck.” Nürnberger Nachrichten, 31 May 1983.

• “Artauds Anfänge.” Theater heute, no. 7, 1983.

• “Wer sich erinnert, lebt: Eine Theaterreise ins 19. Jahrhundert: Klaus Michael Grübers ‘Tannhäuser‘ in Florenz.” Theater heute, no. 8, 1983, pp. 37–38.

• “Café Amérique: Richard Foreman und sein neues Stück.” Theater heute, no. 1, 1982, pp. 40–44.

• “Schauplatz Wien.” Theater heute, no. 4, 1982, pp. 26–28.

• “Die Vergewaltigung oder ‘Faust’-Zensur(en) in Österreich.” Theater heute, no. 5, 1982, p. 5.

• “Der edle Wilde.” Nürnberger Nachrichten, 17–18 June 1982.

• “Ein spielbares Mischspiel: ‘Der neue Menoza’ von J. M. R. Lenz.” Frankfurter Rundschau, 18 June 1982.

• “Richard Wagners Erlösung: Zur Pariser Uraufführung von Hans Jürgen Syberbergs ‘Parsifal’-Film.” Theater heute, no. 7, 1982, pp. 3–7.

• “Neues US-Tanztheater: Lucinda Childs.” Theater heute, no. 7, 1982, pp. 11–12.

• “Die Feinde der Kunst.” Wiener, August 1982, pp. 10–12.

• “Sprache der Dinge: Literarisches Pendant zum Kubismus.” Nürnberger Nachrichten, 11 August 1982.

• “Der Körper, er spricht, endlos: Pina Bauschs ‘Walzer’.” Theater heute, no. 8, 1982, pp. 36–39.

• “Die Not gibt den Ort: Fragmentarisches zu Peter Handkes erstem Festspiel.” Theater heute, no. 9, 1982, pp. 27–30.

• “Die gestohlene Kindheit.” Nürnberger Nachrichten, 8 November 1982.

• “Studie einer Abhängigkeit.” Nürnberger Nachrichten, 20 November 1982.

• “Blutiges Theater.” Nürnberger Nachrichten, 9 October 1981.

• “Lebendiges Museum.” Nürnberger Nachrichten, 30 October 1981.

• “Keine Himmelfahrt des Arsches: Zur endlichen ‘Welturaufführung’ von Gert Jonkes Stück in Graz.” Theater heute, no. 11, pp. 16–17.

• “Diskurs über die Liebe.” Nürnberger Nachrichten, 16 December 1981.

• INTERVIEWS AND CONVERSATIONS

• Stange, Raimar. “Qualitäts-Sprünge: Interviews von Raimar Stange.” Kunstforum International, vol. 235, August–September 2015, p. 161–62.

• Pinto, Ana Teixeira. “Peter Friedl: The Diaries.” Mousse, no. 45, October–November 2014, pp. 218–19.

• Lista, Giovanni. “Le ‘tableau vivant’ comme questionnement.” Ligeia, nos. 117–120, July–December 2012, pp. 82–84.

• “Gespräch mit Anselm Franke.” Peter Friedl, Die heimliche Moderne: Ausgewählte Texte und Interviews 1981–2009. Berlin: Sternberg Press, 2010, pp. 235–48.

• “A Conversation with Anselm Franke.” Peter Friedl, Secret Modernity: Selected writings and Interviews 1981–2009. Berlin: Sternberg Press, 2010, pp. 219–31.

• Franke, Anselm. “Part of the Process: Peter Friedl.” Mousse, no. 23, April–May 2010, pp. 50–55.

• “On Pictorial Justice: Confidence is nice but autonomy and control are better: Peter Friedl in conversation with Gean Moreno.” Art Papers, May–June 2007, pp. 38–45.

• “Peter Friedl: Travail 1964–2006: Entretien avec Gean Moreno.” Semaines, no. 5, 2007, pp. 27–37.

• Rehm, Jean-Pierre. “Une conversation avec Peter Friedl.” Peter Friedl: Travail 1964–2006. Arles: Editions Analogues, 2007, pp. 65–78.

• Rehm, Jean-Pierre. “A Conversation with Peter Friedl.” Peter Friedl: Work 1964–2006. Barcelona: Museu d’Art Contemporani de Barcelona, 2006, pp. 65–76.

• Rehm, Jean-Pierre. “Una conversación con Peter Friedl.” Peter Friedl: Obra 1964–2006. Barcelona: Museu d’Art Contemporani de Barcelona, 2006, pp. 65–77.

• “Malentendus en chantier” [Peter Friedl in conversation with Jean-Pierre Rehm]. Multitudes, no. 17, June 2004, pp. 183–92.

• “Interview mit Peter Friedl.” Stange, Raimar, Zurück in die Kunst. Hamburg: Rogner & Bernhard bei Zweitausendeins, 2003, pp. 176–82.

• “take a seat” [by Peter Friedl and Isaak Friedl]. Neue Review, no. 1, May 2003, pp. 20–22.

• “Yoko Ono I” [by Peter Friedl and Frank Wagner]. Neue Review, no. 2, July 2003, pp. 2–4.

• “Ich bearbeite bestimmte Lücken zwischen Bild und Text [Peter Friedl in conversation with Raimar Stange].” Stange, Raimar, SurFaces: Interviews 2001–2002. Frankfurt am Main: Revolver–Archiv für Aktuelle Kunst, 2002, pp. 26–32.

• Buergel, Roger M. “Ein Gespräch mit Peter Friedl / A Conversation with Peter Friedl.” Peter Friedl. Casino Luxembourg–Forum d’art contemporain, Luxembourg; Gesellschaft für Aktuelle Kunst, Bremen; Institute for Contemporary Art, Cape Town, Revolver–Archiv für Aktuelle Kunst, Frankfurt am Main 2001, pp. 21–40.

• Nottrot, Ina. “Der Sockel mutiert zur Bildskulptur: Peter Friedl in der Galerie Erna Hécey.” Luxemburger Wort, 2 November 2000.

• Peter Friedl: Interview [by Marie-Thérèse Champesme]. Brussels: Societé des Expositions du Palais des Beaux-Arts des Bruxelles, 1998. Exhibition flyer.

• “Peter Friedl [in conversation with Horst Griese and Eva Schmidt].” Griese, Horst, and Eva Schmidt (eds.), Do All Oceans Have Walls? Bremen: Gesellschaft für Aktuelle Kunst, KünstlerHaus, 1998, pp. 42–47. Catalogue.

• Reissner, Katja. “Das höllische Eins-zu-Eins: Peter Friedl, documenta-Künstler.” Der Tagesspiegel, 4 September 1997, p. 39.

• “Der Haacke-Effekt: Ein Gespräch mit Hans Haacke [interview with Hans Haacke by Peter Friedl and Georg Schöllhammer].” Springer, vol. III, no. 3, 1997, p. 85; reprinted in Hoormann, Anne, and David Mannstein (ed.), Hans Haacke, Standortkultur: Das Politische und die Kunst. Weimar: Bauhaus-Universität, 1998, pp. 67–81; also in Widerstände, Kunst, Cultural Studies, Neue Medien: Interviews und Aufsätze aus der Zeitschrift Springerin 1995–1999. Vienna, Bozen: Folio, 1999, pp. 35–46.

• “Bellamy & Bellamy: The Real State [a conversation with Stefan Germer].” Peter Friedl, Gillian Wearing, Lawrence Weiner: City Projects Prague. Prague/London: The British Council Window Gallery, 1996, pp. 57–62, 69–75. Catalogue.

• Babias, Marius. “Ich wollte Regisseur werden: Interview mit Peter Friedl.” Zitty, no. 8, 1996, pp. 82–83.

• “Auskunft: Ausschnitt aus dem öffentlichen Gespräch, das Marius Babias mit Peter Friedl am 5. Dezember 1995 im Depot Wien führte / Information: An excerpt from the public conversation that Marius Babias conducted with Peter Friedl on December 5, 1995, in the Vienna Depot.” Peter Friedl presents FRACK. Vienna: Triton, 1996, pp. 49–60.

• “Spirituelle Infiltration: Peter Friedl und Heimo Zobernig im Gespräch mit Vitus H. Weh / Spiritual Infiltration: Peter Friedl and Heimo Zobernig in an interview with Vitus H. Weh.”

• Peter Friedl presents FRACK. Vienna: Triton, 1996, pp. 61–75; reprinted in BE Magazin, no. 4, 1996, pp. 112–16.

• “Interfox [Peter Friedl in conversation with Tyyne Claudia Pollmann].” Peter Friedl presents FRACK. Vienna: Triton, 1996, pp. 87–102.

• “Fidicinstrasse 5 / 5 Fidicinstrasse [Peter Friedl in conversation with Olav Westphalen].” Peter Friedl presents FRACK. Vienna: Triton, 1996, pp. 107–25.

• “Auskunft: Peter Friedl. Ausschnitt aus dem Gespräch, das Marius Babias mit Peter Friedl am 5.12.1995 im Depot führte.” Herausgeber Kunstraum Wien, Vienna 1996, p. 59.

• “1 [Peter Friedl in conversation with Christian Kravagna].” Peter Friedl. Academy of Fine Arts, Prague, 1995, pp. 5–27. Catalogue.

• “2 [Peter Friedl in conversation with Martin Prinzhorn].” Peter Friedl. Academy of Fine Arts, Prague, 1995, pp. 29–47. Catalogue.

• “Jede Produktion hat ihre Bedingungen: Interview mit Heimo Zobernig.” Springer, vol. I, no. 5–6, November 1995, pp. 145–50.

• Depot/Auskunft: Peter Friedl im Gespräch mit Marius Babias. Vienna, 5 December 1995. Video, two parts were published in 1996.

• “Peter Friedl im Gespräch mit Martin Karasek.” Rebuild. Galerie Pohlhammer, Steyr, 1992, pp. 5–13. Catalogue.

• Nussbaum, Ingo. “Engel in der Wintermütze: Ein Gespräch.” Kunst und Kirche, no. 4, 1991, pp. 246–49.

• “Peter Friedl im Gespräch mit Isi Siever.” Peter Friedl. Christine König Galerie, Vienna, 1990. Catalogue.

• “Une perception autre: Entretien avec Bob Wilson.” Théâtre public, November–December 1982, pp. 54–59.

• “André Heller, Robert Wilson, Hans Jürgen Syberberg: Drei Gespräche.” Theater heute, annual, 1981, pp. 69–89.